Historical past of an archive for generating, networking, curating, and discovering artwork considering 1970.

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May 15, 1980) (notice, call) Cavellini, G. : Cavellini in California e a Budapest, Brescia, 1980, Cavellini, G. : Cavellini in California and in Budapest, pp. 67–76. Brescia, 1980, pp. 69–78. ): Galántai, Életmunkák/Lifeworks 1968–1993, Artpool – Enciklopédia Bodor Kata: “…I would like Kiadó, Budapest, 1996, pp. 264–265. to be connected to the time I’m in…” Interview with György Galántai, the curator of the Parastamp exhibition, in: Parastamp. Four Decades of Artistamps, from Fluxus to the Internet, exh.

No sooner had we finished the renovation, decoration, and other preparatory jobs and mounted the works for the first exhibition on the walls – with my helpers still recovering from the hard work – then the police arrived and arrested five people. ” Thus, the show commenced, the dramaturges of the political charade swung into action, and the functionaries of the executive apparatus armed themselves to annihilate the chapel project. Gyula Gulyás: Installation with Plugs, 1973 The members of the cultural administration continued their creative search aimed at finding overt political content in the artworks, but since they understood nothing of the exhibits, they had to leave emptyhanded.

18. ): (December 16, 1981) Galántai, Életmunkák/Lifeworks 1968–1993, Artpool – Enciklopédia Kiadó, Budapest, 1996, pp. 274. 4. ): Galántai, Életmunkák/Lifeworks 1968–1993, Artpool – Enciklopédia Kiadó, Buda­ Correspondence Art of Ray Johnson / pest, 1996, pp. 252–255. Ray Johnson kapcsolatművészete, exhibition leporello, Ernst Múzeum, Morris, Michael: Ray Johnson: An Budapest, 1997 [pp. ] Appreciation, in: Ray Johnson. How Sad I am Today…, Morris and Röder, Helen Belkin Gallery, Vancouver, Canada, 1999, p.

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