By Rudolf Wittkower
this is often the second one ebook within the 3 quantity survey.
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Additional resources for Art and Architecture in Italy, 1600 to 1750
Pared with their models in the Chapel of Sixtus counter-reforma- V, these tombs show a further accretion of programme of systematically transforming pagan into Christian Rome. Moreover, by placing this sumptuous spectacle before the decorative detail, to the detriment ofthe effec- important part of Sixtus \ 's tory eyes of the faithful, Sixtus medieval demand, voiced by that the ought fulfilled the men like Church, the image of heaven on earth, to be decorated with the most precious treasures in existence.
Stefano Rotondo, which invariably have effect Olympian city official most of the time influence was yet great working for Sixtus commis- 1589 and was indeed absent after that year, on the painters V and Clement VIII. \ second trend was that of the Florentines, who had a considerable share in mid-sixteenthcentury fresco-painting in Rome. Their com- a nauseating plex Mannerism, tied to the old Florentine on the modern beholder. But Nicolo emphasis on rhythmic design, followed the Circignani (called Pomarancio, 1516-96), who painted them, was the artist favoured by the Jesuits;'- the church belonged novices of the Order.
1608 and completed in 1623 except for the In spite of solid and worthy achievement, fa9ade. Finally, a second vast Jesuit church, the masters of the period here under review S. Ignazio, was planned after the founder's canonization and begun in 1626. tion of St Charles Borromeo The canoniza- in 16 10 was im- mediately followed by the dedication to him of no less than three churches in Rome: the very large S. Carlo al Corso, S. Carlo ai Catinari, built for the Barnabites, a congregation at Milan in founded 1533, and the small S.
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