By Marcus Jastrow

A vintage and nonetheless usual source, Marcus Jastrow's enormous dictionary continues to be precise in that it covers either the Hebrew and the Aramaic languages utilized in the literature of the rabbinic interval. This essential dictionary of targumic and rabbinic literature contains hundreds of thousands of entries in absolutely vocalized Hebrew and Aramaic, with references to the unique texts, transparent English definitions, and the whole variety of meanings and usages within the resources. it's equipped alphabetically by way of genuine shape but additionally contains references to the foundation of phrases and plentiful cross-references. entire in a single quantity, in a reader pleasant structure and web page measurement, with a strong binding and an index of scriptural quotations, it's the such a lot finished single-volume dictionary to be had for analyzing early Jewish texts.

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Additional info for A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature

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IV) he inserts a description of a meeting of the organization of Putri Sedar (Conscious Women), the highlight of which is Tuti's speech on the attitude of the modern woman, and this closely follows Takdir's essays on the subject. And another chapter of Lajar T erkembang could be called a direct reply to a literary work by one of Takdir's co-pudjangga baru writers. We have had occasion already to refer to Sanusi Pane's historical dramas, which deal with important events in ancient Javanese history.

But the book has also important merits. Within the context of pre-war literature it excels because of the purity and honesty of its descriptions of nature and of the vivid dialogues. And the figure of Tuti is one of the highlights of the pre-war Indonesian characters of fiction. She is Takdir's ideal incarnate: the emancipated, independent woman, who voluntarily binds herself again to society in order to achieve a really harmonious and satisfying life. But she is also real and realistic. And even though the author sometimes seems to transgress the boundaries between novel and essay, one can hardly say that by doing so he diminishes the attractiveness of his book.

Two sisters, Tuti and Maria, meet a young man J usuf, who has nearly finished his medical studies. The sisters are opposites. Tuti, the elder, is an inteUectual, a serious and energetic advocate of the emancipation of women. Maria, a few years younger, is a merry, carefree girl, who loves flowers and enjoys life as it is. Jusuf and Maria fall in love with each other. Tuti, who already has broken off one engagement because she felt it to be an impediment to her obligations to her people, is again confronted with the consequences of her selfimposed loneliness, when she in turn receives a proposal of marriage from a teacher colleague.

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