By Warren French (auth.)

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1898; revised edition, as Transplanted, 1919. fornians. 1898; revised edition, 1935. The Valiant Runaways. 1898. A Daughter qf the Vine. 1899. Senator North. 1900. The Aristocrats, Being the Impressions qfthe Lady Helen Pole During Her Sojourn in the Great North Woods. 1901. The Conqueror, Being the True and Romantic Story qf Alexander Hamilton. 1902. Heart qf Hyacinth. 1903.

For example, a farmer consumed with the idea of being a Biblical patriarch so confuses and terrifies his only grandson in a ritual of sacrifice that the boy runs away forever. A young man, obsessed with the idea that he is "queer," hopelessly different from other people, breaks into a frantic dance and physically strikes out at his one sympathetic listener. A shy woman, who has waited many years for the return of her lover, one night in desperation runs naked across her front lawn in the rain. Appearing in several stories is the young newspaper reporter, George Willard, to whom some of the grotesques tell their story.

1942. Your Navy, in This Is War! 1942. Letter to Jackie, in The Best One-Act Plays qf /943, edited by Margaret Mayorga. 1944. Storm Operation (produced 1944). 1944. Joan qf Lorraine (produced 1946). 194 7. Truckline Cafe (produced 1946). Anne of· the Thousand Days (produced 1948). 1948. Joan qf Arc (screenplay, with Andrew Solt). 1948. Lost in the Stars, music by Kurt Weill, from the novel Cry the Beloved Country by Alan Paton (produced 1949). 1950. Barefoot in Athens (produced 1951). 1951. The Bad Seed, from the novel by William March (produced 1954).

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